most intriguing

lelaid:

Jacquelyn Jablonski at Altuzarra, Fall/Winter 2010

lelaid:

Jacquelyn Jablonski at Altuzarra, Fall/Winter 2010

(via eldritchpopkitsch)

Blade Runner looks

Blade Runner looks

(Source: opsena, via labelleotero)

Antonio Marras F/W 2014.

(Source: rovrsi, via schadenfraulein)

cerasiferae:

130186:

Christian Siriano A/W 2013

It’s like something out of a Moreau painting

cerasiferae:

130186:

Christian Siriano A/W 2013

It’s like something out of a Moreau painting


Prada SS 2012

Prada SS 2012

(Source: pinerosolanno, via devi13)

boyhood:

An example and detail of beetlewing embroidery made in the 1880s in the Hobart School for Mussulman Girls in Madras, India. The design is stitched in gold thread on black muslin net. The wing cases are from Jewel Beetles which shed them naturally throughout their lives. Clothing and accessories containing beetlewing embroidery became extremely fashionable during the Victorian period.

(Source: victorianfanguide)

Lena Hoschek Tradition - Herbst/Winter 2012 

witchesandslippersandhoods:

Wedding gown designed by Eiko Ishioka for Bram Stoker’s Dracula

'It's a somewhat strange concept, but I loved the look of the Australian collared lizard and felt that it was a fitting image for a woman who had become a vampire. I had never once thought of designing a traditional wedding dress anyway, and when the lizard idea came to me I fashioned a cape, made completely of embroidered lace, based on this idea. Lucy's dress, loaded with embroidery, was created from a stiff net base upon which the dressmakers embroidered my design - all by hand, of course.'

- Eiko On Stage


Guy Bourdin, 1980

Guy Bourdin, 1980


Schiaparelli buttons inspired by Mae West’s lips

Schiaparelli buttons inspired by Mae West’s lips

mazzystardust:

Lean lines | Shalom Harlow by Peter Lindbergh, Aug 1997

mazzystardust:

Lean lines | Shalom Harlow by Peter Lindbergh, Aug 1997

Helmut Newton for Absolut Vodka

Model: Kristen McMenamy

Modeling Alienation
The temporal relays of modernity were played out in Alexander McQueen’s Spring–Summer 1999 collection that explored the relationship between the 19th century Arts and Crafts movement and what he called ‘the hard edge of technology of textiles’. Segueing between pre-industrial craft imagery and post-industrial urban alienation, the collection combined moulded leather body corsets with frothy white lace, punched wooden fan skirts and Regency striped silk.
The show was opened by the athlete and model Aimee Mullins in a pair of hand-carved prosthetic legs designed by McQueen (the model was born without shin bones and had her legs amputated below the knee at age of one), and closed by Shalom Harlow who revolved like a music-box doll on a turntable as her white dress was sprayed acid green and black by two menacing industrial paint sprayers which suddenly came to life on the catwalk. 
Alexander McQueen, No. 13, Spring–Summer 1999

Fashion at the Edge: Spectacle, Modernity and Deathliness by Caroline Evans, Yale University Press

Modeling Alienation

The temporal relays of modernity were played out in Alexander McQueen’s Spring–Summer 1999 collection that explored the relationship between the 19th century Arts and Crafts movement and what he called ‘the hard edge of technology of textiles’. Segueing between pre-industrial craft imagery and post-industrial urban alienation, the collection combined moulded leather body corsets with frothy white lace, punched wooden fan skirts and Regency striped silk.

The show was opened by the athlete and model Aimee Mullins in a pair of hand-carved prosthetic legs designed by McQueen (the model was born without shin bones and had her legs amputated below the knee at age of one), and closed by Shalom Harlow who revolved like a music-box doll on a turntable as her white dress was sprayed acid green and black by two menacing industrial paint sprayers which suddenly came to life on the catwalk. 

Alexander McQueen, No. 13, Spring–Summer 1999

Fashion at the Edge: Spectacle, Modernity and Deathliness by Caroline Evans, Yale University Press

(via devi13)

gaptoothbitch:

ALEXANDER MCQUEEN FW 1996

(via schadenfraulein)

a-state-of-bliss:

Shalom Harlow amongst the neon shimmer @ Versace Spr/Sum 1995, my scan

a-state-of-bliss:

Shalom Harlow amongst the neon shimmer @ Versace Spr/Sum 1995, my scan

Page 1
theme